Онлайн чтение книги Заметки к истории болезни Notes for a Case History
Notes for a Case History

Maureen Watson was born at 93 Nelsons Way, N.I., in 1942. She did not remember the war, or rather, when people said 'The War,' she thought of Austerity: couponed curtains, traded clothes, the half-pound of butter swapped for the quarter of tea. (Maureen's parents preferred tea to butter.) Further back, at the roots of her life, she felt a movement of fire and shadow, a leaping and a subsidence of light. She did not know whether this was a memory or a picture she had formed, perhaps from what her parents had told her of the night the bomb fell two streets from Nelson's Way and they had all stood among piles of smoking rubble for a day and night, watching firemen hose the flames. This feeling was not only of danger, but of fatality, of being helpless before great impersonal forces; and was how she most deeply felt, saw, or thought an early childhood which the social viewer would describe perhaps like this:

Maureen Watson, conceived by chance on an unexpected grant-ed-at-the-last-minute leave, at the height of the worst war in history, infant support of a mother only occasionally upheld (the chances of war deciding) by a husband she had met in a bomb shelter during an air raid: poor baby, born into a historical upheaval which destroyed forty million and might very well have destroyed her. As for Maureen, her memories and the reminiscences of her parents made her dismiss the whole business as boring, and nothing to do with her.

It was at her seventh birthday party she first made this clear. She wore a mauve organdie frock with a pink sash, and her golden hair was in ringlets. One of the mothers said: 'This is the first unrationed party dress my Shirley has had. It's a shame, isn't it?' And her own mother said: 'Well of course these war children don't know what they've missed.' At which Maureen said: I am not a war child.' What are you then, love?' said her mother, fondly exchanging glances.

'I'm Maureen,' said Maureen.

'And I'm Shirley,' said Shirley, joining cause.

Shirley Banner was Maureen's best friend. The Watsons and the Banners were better than the rest of the street. The Watsons lived in an end house, at higher weekly payments. The Banners had a sweets-paper-and-tobacco shop.

Maureen and Shirley remembered (or had they been told?) that once Nelson's Way was a curved terrace of houses. Then the ground-floor level had broken into shops: a grocers, laundry, a hardware, a baker, a dairy. It seemed as if every second family in the street ran a shop to supply certain defined needs of the other families. What other needs were there? Apparently none; for Maureen's parents applied for permission to the Council, and the ground floor of their house became a second grocery shop, by way of broken-down walls, new shelves, a deepfreeze. Maureen remembered two small rooms, each with flowered curtains where deep shadows moved and flickered from the two small fires that burned back to back in the centre wall that divided them. These two rooms disappeared in clouds of dust from which sweet-smelling planks of wood stuck out. Strange but friendly men paid her compliments on her golden corkscrews and asked her for kisses, which they did not get. They gave her sips of sweet tea from their canteens (filled twice a day by her mother) and made her bracelets of the spiralling fringes of yellow wood. Then they disappeared. There was the new shop. Maureen's Shop. Maureen went with her mother to the sign shop to arrange for these two words to be written in yellow paint on a blue ground.

Even without the name, Maureen would have known that the shop was connected with hopes for her future; and that her future was what her mother lived for.

She was pretty. She had always known it. Even where the shadows of fire and dark were, they had played over a pretty baby. 'You were such a pretty baby, Maureen.' And at the birthday parties: 'Maureen's growing really pretty, Mrs Watson.' But all babies and little girls are pretty, she knew that well enough… no, it was something more. For Shirley was plump, dark — pretty. Yet their parents' — or rather, their mothers' — talk had made it clear from the start that Shirley was not in the same class as Maureen.

When Maureen was ten there was an episode of importance. The two mothers were in the room above Maureen's Shop and they were brushing their little girl's hair out. Shirley's mother said: 'Maureen could do really well for herself, Mrs Watson.' And Mrs Watson nodded, but sighed deeply. The sigh annoyed Maureen, because it contradicted the absolute certainty that she felt (it had been bred into her) about her future. Also because it had to do with the boring era which she remembered, or thought she did, as a tiger-striped movement of fire. Chance: Mrs Watsons sigh was like a prayer to the gods of Luck: it was the sigh of a small helpless thing being tossed about by big seas and gales. Maureen made a decision, there and then, that she had nothing in common with the little people who were prepared to be helpless and tossed about. For she was going to be quite different. She was already different. Not only The War but the shadows of war had long gone, except for talk in the newspapers which had nothing to do with her. The shops were full of everything. The Banners' sweets-tobacco-paper shop had just been done up; and Maureen's was short of nothing. Maureen and Shirley, two pretty little girls in smart mother-made dresses, were children of plenty, and knew it, because their parents kept saying (apparently they did not care how tedious they were): 'These kids don't lack for anything, do they? They don't know what it can be like, do they?' This, with the suggestion that they ought to be grateful for not lacking anything, always made the children sulky, and they went off to flirt their many-petticoated skirts where the neighbours could see them and pay them compliments.

Eleven years. Twelve years. Already Shirley had subsided into her role of pretty girl's plainer girl friend, although of course she was not plain at all. Fair girl, dark girl, and Maureen by mysterious birthright was the 'pretty one', and there was no doubt in either of their minds which girl the boys would try first for a date. Yet this balance was by no means as unfair as it seemed. Maureen, parrying and jesting on street corners, at bus stops, knew she was doing battle for two, because the boys she discarded Shirley got: Shirley got far more boys than she would have done without Maureen who, for her part, needed — more, bad to have — a foil. Her role demanded one.

They both left school at fifteen, Maureen to work in the shop. She was keeping her eyes open: her mother's phrase. She wore a slim white overall, pinned her fair curls up, was neat and pretty in her movements. She smiled calmly when customers said: 'My word, Mrs Watson, your Maureen's turned our, hasn't she?'

About that time there was a second moment of consciousness. Mrs Watson was finishing a new dress for Maureen, and the fitting was taking rather long. Maureen fidgeted and her mother said: Well, it's your capital, isn't it? You've got to see that, love.' And she added the deep unconscious sigh. Maureen said: Well don't go on about it, it's not very nice, is it?' And what she meant was, not that the idea was not very nice, but that she had gone beyond needing to be reminded about it; she was feeling the irritated embarrassment of a child when it is reminded to clean its teeth after this habit has become second nature. Mrs Watson saw and understood this, and sighed again; and this time it was the maternal sigh which means: Oh dear, you are growing up fast! 'Oh mum,' said Maureen, 'sometimes you just make me tired, you do really.'

Sixteen. She was managing her capital perfectly. Her assets were a slight delicate prettiness, and a dress sense that must have been a gift from God, or more probably because she had been reading the fashion magazines since practically before consciousness. Shirley had put in six months of beehive hair, pouting scarlet lips, and an air of sullen disdain; but Maureen's sense of herself was much finer. She modelled herself on film stars, but with an understanding of how far she could go — of what was allowable to Maureen. So the experience of being Bardot, Monroe, or whoever it was, refined her: she took from it an essence, which was learning to be a vehicle for other people's fantasies. So while Shirley had been a dozen stars, but really been them, in violent temporary transmogrifications, from which she emerged (often enough with a laugh) Shirley — plump, good-natured, and herself — Maureen remained herself through every role, but creating her appearance, like an alter ego, to meet the expression in people's eyes.

Round about sixteen, another incident: prophetic. Mrs Watson had a cousin who worked in the dress trade, and this man, unthought-of for many years, was met at a wedding. He commented on Maureen, a vision in white gauze. Mrs Watson worked secretly on this slender material for some weeks; then wrote to him: Could Maureen be a model? He had only remote connections with the world of expensive clothes and girls, but he dropped into the shop with frankly personal aims. Maureen in a white wrapper was still pretty, very; but her remote air told this shrewd man that she would certainly not go out with him. She was saving herself; he knew the air of self-esteem very well from other exemplars. Such girls do not go out with middle-aged cousins, except as a favour or to get something. However, he told Mrs Watson that Maureen was definitely model material, but that she would have to do something about her voice. (He meant her accent of course; and so Mrs Watson understood him.) He left addresses and advice, and Mrs Watson was in a state of quivering ambition. She said so to Maureen: 'This is your chance, girl. Take it.' What Maureen heard was: 'This is my chance.'

Maureen, nothing if not alert for her Big Chance, for which her whole life had prepared her, accepted her mother's gift of a hundred pounds (she did not thank her, no thanks were due) and actually wrote to the school where she would be taught voice training.

Then she fell into sullen withdrawal, which she understood so little that a week had gone by before she said she must be sick — or something. She was rude to her mother: very rare, this. Her father chided her for it: even rarer. But he spoke in such a way that Maureen understood for the first time that this drive, this push, this family effort to gain her a glamorous future, came from her mother, her father was not implicated. For him, she was a pretty-enough girl, spoiled by a silly woman.

Maureen slowly understood she was not sick, she was growing up. For one thing: if she changed her 'voice' so as to be good enough to mix with new people, she would no longer be part of this street, she would no longer be Our Maureen. What would she be then? Her mother knew: she would marry a duke and be whisked off to Hollywood. Maureen examined her mother's ideas for her and shrank with humiliation. She was above all no fool, but she had been very foolish. For one thing: when she used her eyes, with the scales of illusion off them, she saw that the million streets of London blossomed with girls as pretty as she. What, then, had fed the illusion in herself and in other people? What accounted for the special tone, the special looks that always greeted her? Why, nothing more than that she, Maureen, because of her mother's will behind her, had carried herself from childhood as something special, apart, destined for a great future.

Meanwhile (as she clearly saw) she was in 93 Nelson's Way, serving behind the counter of Maureen's Shop. (She now wondered what the neighbours had thought — before they got used to it — about her mother's fondness so terribly displayed.) She was dependent on nothing less than that a duke or a film producer would walk in to buy a quarter of tea and some sliced bread.

Maureen sulked. So her father said. So her mother complained. Maureen was — thinking? Yes. But more, a wrong had been done her, she knew it, and the sulking was more of a protective silence while she grew a scab over a wound.

She emerged demanding that the hundred pounds should be spent on sending her to secretarial school. Her parents complained that she could have learned how to be a secretary for nothing if she had stayed on at school another year. She said: 'Yes, but you did't have the sense to make me, did you? What did you think — I was going to sell butter like you all my life?' Unfair, on the face of it; but deeply fair, in view of what they had done to her. In their different ways they knew it. (Mr Watson knew in his heart, for instance, that he should never have allowed his wife to call the shop 'Maureen's'.) Maureen went, then, to secretarial school for a year. Shirley went with her: she had been selling cosmetics in the local branch of a big chain store. To raise the hundred pounds was difficult for Shirley's parents: the shop had done badly, had been bought by a big firm; her father was an assistant in it. For that matter, it wasn't all that easy for the Watsons: the hundred pounds was the result of small savings and pinchings over years.

This was the first time Maureen had thought of the word capital in connection with money, rather than her own natural assets: it was comparatively easy for the Watsons to raise money, because they had capital: the Banners had no capital. (Mrs Watson said the Banners had had bad luck.) Maureen strengthened her will; and as a result the two families behaved even more as if the girls would have different futures — or, to put it another way, that while the two sums of a hundred pounds were the same, the Watsons could be expected to earn more on theirs than the Banners.

This was reflected directly in the two girls' discussions about boys. Shirley would say: 'I'm more easy going than you.'

Maureen would reply: T only let them go so far.'

Their first decisions on this almighty subject had taken place years before, when they were thirteen. Even then Shirley went further (let them go further') than Maureen. It was put down, between them, to Shirley's warmer temperament — charitably; for both knew it was because of Maureen's higher value in the market.

At the secretarial school they met boys they had not met before. Previously boys had been from the street or the neighbourhood, known from birth, and for this reason not often gone out with-that would have been boring (serious, with possibilities of marriage). Or boys picked up after dances or at the pictures. But now there were new boys met day after day in the school. Shirley went out with one for weeks, thought of getting engaged, changed her mind, went out with another. Maureen went out with a dozen, chosen carefully. She knew what she was doing — and scolded Shirley for being so soft. 'You're just stupid, Shirl — I mean, you've got to get on. Why don't you do like me?'

What Maureen did was to allow herself to be courted, until she agreed at last, as a favour, to be taken out. First, lunch — a word she began to use now. She would agree to go out to lunch two or three times with one boy, while she was taken out to supper (dinner) by another. The dinner partner, having been rewarded by a closed-mouth kiss for eight, ten, twelve nights, got angry or sulky or reproachful, according to his nature. He dropped her, and the lunch partner was promoted to dinner partner.

Maureen ate free for the year of her training. It wasn't that she planned it like this; but when she heard other girls say they paid their way or liked to be independent, it seemed to Maureen wrong-headed. To pay for herself would be to let herself be undervalued: even the idea of it made her nervous and sulky.

At the end of the training Maureen got a job in a big architect's office. She was a junior typist. She stuck out for a professional office because the whole point of the training was to enable her to meet a better class of people. Of course she had already learned not to use the phrase, and when her mother did snubbed her with: 'I don't know what you mean, better class, but it's not much point my going into that hardware stuck upstairs in an office by myself if I can get a job where there's some life about.'

Shirley went into a draper's shop where there was one other typist (female) and five male assistants.

In Maureen's place there were six architects, out most of the time, or invisible in large offices visited only by the real secretaries; a lower stratum of young men in training, designers, draughtsmen, managers, etc., and a pool of typists.

The young men were mostly of her own class. For some months she ate and was entertained at their expense; and at each week's end there was a solemn ceremony, the high point of the week, certainly the most exciting moment in it, when she divided her wage. It was seven pounds (rising to ten in three years) and she allocated two pounds for clothes, four for the post office, and one pound for the week's odd expenses.

At the end of a year she understood two things. That she had saved something like two hundred pounds. That there was not a young man in the office who would take her out again. They regarded her, according to their natures, with resentment or with admiration for her cool management of them. But there was nothing doing there — so they all knew.

Maureen thought this over. If she were not taken out to meals and entertainment, she must pay for herself and save no money, or she must never go out at all. If she was going to be taken out, then she must give something in return. What she gave was on open mouth, and freedom to the waist. She calculated that because of her prettiness she could give much less than other girls.

She was using her capital with even more intelligence than before. A good part of her time — all not spent in the office or being taken out — went in front of her looking glass, or with the better-class fashion magazines. She studied them with formidable concentration. By now she knew she could have gone anywhere in these islands, except for her voice. Whereas, months before, she had sulked in a sort of fright at the idea of cutting herself off from her street and the neighbours, now she softened and shaped her voice, listening to the clients and the senior architects in the office. She knew her voice had changed when Shirley said: 'You're talking nice, Maureen, much nicer than me.'

There was a boy in the office who teased her about it. His name was Tony Head. He was in training to be an accountant for the firm, and was very much from her own background. After having taken her out twice to lunch, he had never asked her again. She knew why: he had told her. 'Can't afford you, Maureen,' he said. He earned not much more than she did. He was nineteen, ambitious, serious, and she liked him.

Then she was nineteen. Shirley was engaged to one of the assistants in her shop, and would be married next Christmas.

Maureen took forty pounds out of her savings and went on a tour to Italy. It was her first time out of England. She hated it: not Italy, but the fact that half the sixty people on the tour were girls, like herself, looking for a good time, and the other half elderly couples. In Rome, Pisa, Florence, Venice, the Italians mooned over Maureen, courted her with melting eyes, while she walked past them, distant as a starlet. They probably thought she was one. The courier, a sharp young man, took Maureen out to supper one night after he had finished his duties, and made it clear that her mouth, even if opened, and her breasts, were not enough. Maureen smiled at him sweetly through the rest of the trip. No one paid for her odd coffees, ices and drinks. On the last night of the trip, in a panic because the forty-pound investment had yielded so little, she went out with an Italian boy who spoke seven words of English. She thought him crude, and left him after an hour.

But she had learned a good deal for her forty pounds. Quietly, in her lunch hour, she went off to the National Gallery and to the Tate. There she looked, critical and respectful, at pictures, memorizing their subjects, or main colours, learning names. When invited out, she asked to be taken to 'films', and when she got back home wrote down the names of the director and the stars. She looked at the book page of the Express (she made her parents buy it instead of the Mirror) and sometimes bought a recommended book, if it was a berst seller.

Twenty. Shirley was married and had a baby. Maureen saw little of her — both girls felt they had a new world of knowledge the other couldn't appreciate.

Maureen was earning ten pounds a week, and saved six.

There came to the office, as an apprentice architect, Stanley Hunt, from grammar school and technical college. Tallish, well-dressed, fair, with a small moustache. They took each other's measure, knowing they were the same kind. It was some weeks before he asked her out. She knew, by putting herself in his place, that he was looking for a wife with a little money or a house of her own, if he couldn't get a lady. (She smiled when she heard him using this word about one of the clients.) He tried to know clients socially, to be accepted by them as they accepted the senior architects. All this Maureen watched, her cool little face saying nothing.

One day, after he had invited a Miss Plast (Chelsea, well-off, investing money in houses) to coffee, and had been turned down, he asked Maureen to join him in a sandwich lunch. Maureen thanked him delightfully, but said she already had an engagement. She went off to the National Gallery, sat on the steps, froze off wolves and pickups, and ate a sandwich by herself.

A week later, invited to lunch by Stanley, she suggested the Trattoria Siciliana which was more expensive, as she knew quite well, than he had expected. But this meal was a success. He was impressed with her, though he knew (how could he not, when his was similar?) her background.

She was careful to be engaged for two weeks. Then she agreed to go to the pictures — 'a foreign film, if you don't mind, 1 think the American films are just boring.' She did not offer to pay, but remarked casually that she had nearly six hundred pounds in the post office. 'I'm thinking of buying a little business, some time. A dress shop. I've got a cousin in the trade.'

Stanley agreed that 'with you taste' it would be a sure thing.

Maureen no longer went to the Palais, or similar places (though she certainly did not conceal from Stanley that she had 'once'), but she loved to dance. Twice they went to the West End together and danced at a Club which was 'a nice place'. They danced well together. On the second occasion she offered to pay her share, for the first time in her life. He refused, as she had known he would, but she could see he liked her for offering: more, was relieved; in the office they said she was mean, and he must have heard them. On that night, taken home lingeringly, she opened her mouth for him and let his hands go down to her thighs. She felt a sharp sexuality which made her congratulate herself that she had never, like Shirley, gone 'half-way' before. Well of course, girls were going to get married to just anybody if they let themselves be all worked up every time they were taken out!

But Stanley was not at all caught. He was too cool a customer, as she was. He was still looking for something better.

He would be an architect in a couple of years; he would be in a profession; he was putting down money for a house; he was good-looking, attractive to women, and with these assets he ought to do better than many Maureen. Maureen agreed with him.

But meanwhile he took her out. She was careful often to be engaged elsewhere. She was careful always to be worth taking some where expensive. When he took her home, while she did not go so far as 'nearly the whole way', she went 'everything but'; and she was glad she did not like him better, because otherwise she would have been lost. She knew quite well she did not really like him, although her mind was clouded by her response to his hands, his moustache, his clothes and his new car.

She knew, because meanwhile a relationship she understood very well, and regretted, had grown up with Tony. He, watching this duel between the well-matched pair, would grin and drop remarks at which Maureen coloured and turned coldly away. He often asked her out — but only for a 'Dutch treat' — expecting her to refuse. 'How's your savings account, Maureen? I can't save, you girls get it all spent on you.' Tony took out a good many girls: Maureen kept a count of them. She hated him; vet she liked him, and knew she did she relied on him above all for the grinning, honest understanding of her: he did not approve of her, but perhaps (she felt in her heart) he was right? During this period she several times burst into tears when alone, without apparent reason; afterwards she felt that life had no flavour. Her future was narrowing down to Stanley; and at these times she viewed it through Tony Head's eyes.

One night the firm had a party for the senior members of the staff. Stanley was senior, Maureen and Tony were not. Maureen knew that Stanley had previously asked another girl to go, and when he asked herself, was uncertain whether she could make it until the very last moment: particularly as his inviting her, a junior, meant that he was trying out on the senior members the idea of Maureen as a wife. But she acquitted herself very well. First, she was the best-looking woman in the room by far, and the best-dressed. Eve ryone looked at her and commented: they were used to her as a pretty typist; but tonight she was using all her will to make them look at her, to make her face and body reflect what they admired. She made no mistakes. When the party was over Stanley and two of the younger architects suggested they drive out to London airport for breakfast, and they did. The two other girls were middle-class. Maureen kept silent for the most part, smiling serenely. She had been to Italy, she remarked, when a plane rose to go to Italy. Yes, she had liked it, though she thought the Italians were too noisy; what she had enjoyed best was the Sistine Chapel and a boat trip on the Adriatic. She hadn't cared for Venice much, it was beautiful, but the canals smelled, and there were far too many people; perhaps it would be better to go in winter? She said all this, having a right to it, and it came off. As she spoke she remembered Tony, who had once met her on her way to the National Gallery. 'Getting yourself an education, Maureen? That's right, it'll pay off well, that will.'

She knew, thinking it all over afterwards, that the evening had been important for her with Stanley. Because of this, she did not go out with him for a week, she said she was busy talking to her cousin about the possibilities of a dress shop. She sat in her room thinking about Stanley, and when thoughts of Tony came into her mind, irritatedly pushed them away. If she could succeed with Stanley, why not with someone better? The two architects from that evening had eyed her all the following week: they did not, however, ask her out. She then found that both were engaged to marry the girls they had been with. It was bad luck: she was sure that otherwise they would have asked her out. How to meet more like them? Well, that was the trouble — the drive to the airport was a bit of a fluke; it was the first time she had actually met the seniors socially.

Meanwhile Stanley showed an impatience in his courtship — and for the first time. As for her, she was getting on for twenty-one, and all the girls she had grown up with were married and had their first or even their second babies.

She went out with Stanley to a dinner in the West End at an Italian restaurant. Afterwards they were both very passionate. Maureen, afterwards, was furious with herself: some borderline had been crossed (she supposed she still could be called a virgin?) and now decisions would have to be made.

Stanley was in love with her. She was in love with Stanley. A week later he proposed to her. It was done with a violent moaning intensity that she knew was due to his conflicts over marrying her. She was not good enough. He was not good enough. They were second-best for each other. They writhed and moaned and bit in the car, and agreed to marry. Her eight hundred pounds would make it easier to buy the house in a good suburb. He would formally meet her parents next Sunday.

'So you're engaged to Stanley Hunt?' said Tony.

'Looks like it, doesn't it?'

'Caught him — good for you!'

'He's caught me, more like it!'

'Have it your way.'

She was red and angry. He was serious.

'Come and have a bite?' he said. She went.

It was a small restaurant, full of office workers eating on luncheon vouchers. She ate fried plaice ('No chips, please') and he ate steak-and-kidney pudding. He joked, watched her, watched her intently, said finally: 'Can't you do better than than?' He meant, and she knew it, better in the sense she would use herself, in her heart: he meant nice. Like himself. But did that mean that Tony thought she was nice? Unlike Stanley? She did not think she was, she was moved to tears (concealed) that he did. 'What's wrong with him then?' she demanded, casual. 'What's wrong with you ? You need your head examined.' He said it seriously, and they exchanged a long look. The two of them sat looking goodbye at each other: the extremely pretty girl at whom everyone in the room kept glancing and remarking on, and the good-looking, dark, rather fat young accountant who was brusque and solemn with disappointment in her. With love for her? Very likely.

She went home silent, thinking of Tony. When she thought of him she needed to cry. She also needed to hurt him.

But she told her parents she was engaged to Stanley, who would be an architect. They would have their own house, in (they thought) Hemel Hempstead. He owned a car. He was coming to tea on Sunday. Her mother forgot the dukes and the film producers before the announcement ended: her father listened judiciously, then congratulated her. He had been going to a football match on Sunday, but agreed, after persuasion, that this was a good-enough reason to stay home.

Her mother then began discussing, with deference to Maureen's superior knowledge, how to manage next Sunday to best advantage. For four days she went on about it. But she was talking to herself. Her husband listened, said nothing. And Maureen listened, critically, like her father. Mrs Watson began clamouring for a definite opinion on what sort of cake to serve on Sunday. But Maureen had no opin ion. She sat, quiet, looking at her mother, a largish ageing woman, her ex-fair hair dyed yellow, her flesh guttering. She was like an excited child, and it was not attractive. Stupid, stupid, stupid — that's all you are, thought Maureen.

As for Maureen, if anyone had made the comparison, she was 'sulking' as she had before over being a model and having to be drilled out of her 'voice'. She said nothing but: 'It'll be all right, Mum, don't get so worked up.' Which was true, because Stanley knew what to expect: he knew why he had not been invited to meet her parents until properly hooked. He would have done the same in her place. He was doing the same: she was going to meet his parents the week after. What Mrs Watson, Mr Watson, wore on Sunday; whether sandwiches or cake were served; whether there were fresh or artificial flowers — none of it matterd. The Watsons were part of the bargain: what he was paying in return for publicly owning the most covetable woman anywhere they were likely to be; and for the right to sleep with her after the public display.

Meanwhile Maureen said not a word. She sat on her bed looking at nothing in particular. Once or twice she examined her face in the mirror, and even put cream on it. And she cut out a dress, but put it aside.

On Sunday Mrs Watson laid tea for four, using her own judgment since Maureen was too deeply in love (so she told everyone) to notice such trifles. At four Stanley was expected, and at 3.55 Maureen descended to the living room. She wore: a faded pink dress from three summers before; her mother's cretonne overall used for housework; and a piece of cloth tied round her hair that might very well have been a duster. At any rate, it was a faded grey. She had put on a pair of her mother's old shoes. She could not be called plain; but she looked like her own faded elder sister, dressed for a hard day's spring cleaning.

Her father, knowledgeable, said nothing: he lowered the paper, examined her, let out a short laugh, and lifted it again. Mrs Watson, understanding at last that this was a real crisis, burst into tears. Stanley arrived before Ms Watson could stop herself crying. He nearly said to Mrs Watson: 'I didn't know Maureen had an older sister.' Maureen sat listless at one end of the table; Mr Watson sat grinning at the other, and Mrs Watson sniffed and wiped her eyes between the two.

Maureen said: 'Hello, Stanley, meet my father and mother.' He shook their hands and stared at her. She did not meet his eyes: rather, the surface of her blue gaze met the furious, incredulous, hurt pounce of his glares at her. Maureen poured tea, offered him sandwiches and cake, and made conversation about the weather, and the prices of food, and the dangers of giving even good customers credit in the shop. He sat there, a well-set-up young man, with his brushed hair, his brushed moustache, his checked brown cloth jacket, and a face flaming with anger and affront. He said nothing, but Maureen on, her voice trailing and cool. At five o'clock, Mrs Watson again burst into tears, her whole body shaking, and Stanley brusquely left.

Mr Watson said: Well, why did you lead him on, then?' and turned on the television. Mrs Watson went to lie down. Maureen, in her own room, took off the various items of her disguise, and returned them to her mother's room. 'Don't cry, Mum. What are you carrying on like that for? What's the matter?' Then she dressed extremely carefully in a new white linen suit, brown shoes, beige blouse. She did her hair and her face, and sat looking at herself. The last two hours (or week) hit her, and her stomach hurt so that she doubled up. She cried; but the tears smeared her makeup, and she stopped herself with the side of a fist against her mouth.

It now seemed to her that for the last week she had simply not been Maureen; she had been someone else. What had she done it for? Why? Then she knew it was for Tony: during all that ridiculous scene at the tea table, she had imagined Tony looking on, grinning, but understanding her.

She now wiped her face quite clear of tears, and went quietly out of the house so as not to disturb her father and mother. There was a telephone booth at the corner. She stepped calm and aloof along the street, her mouth held (as it always was) in an almost smile. Bert from the grocers shop said: 'Hey, Maureen, that's a smasher. Who's it for?' And she gave him the smile and the toss of her head that went with the street and said: 'You, Bert, it's all for you.' She went to the telephone booth thinking of Tony. She felt as if he already knew what had happened. She would say: 'Let's go and dance, Tony.' He would say: Where shall i meet you?' She dialled his number, and it rang and it rang. She stood holding the receiver, waiting. About ten minutes — more. Slowly she replaced it. He bad let her down. He had been telling her, in words and without, to be something, to stay something, and now he did not care, he had let her down.

Maureen quietened herself and telephoned Stanley.

All right then, if that's how you want it, she said to Tony.

Stanley answered, and she said amiably: 'Hello.'

Silence. She could hear him breathing, fast. She could see his affronted face.

'Well, aren't you going to say anything?' She tried to make this casual, but she could hear the fear in her voice. Oh yes, she could lose him and probably had. To hide the fear she said: 'Can't you take a joke, Stanley?' and laughed.

'A joke!'

She laughed. Not bad, it sounded all right.

'I thought you'd gone off your nut, clean off your rocker…' He was breathing in and out, a rasping noise. She was reminded of his hot breathing down her neck and her arms. Her own breath quickened, even while she thought: I don't like him, I really don't like him at all… and she said softly: 'Oh Stan, I was having a bit of a giggle, that's all.'

Silence. Now, this was the crucial moment.

'Oh Stan, can't you see — I thought is was all just boring, that's all it was.' She laughed again.

He said: 'Nice for your parents, I don't think.'

'Oh they don't mind — they laughed after you'd left, though first they were cross.' She added hastily, afraid he might think they were laughing at him: 'They're used to me, that's all it is.'

Another long silence. With all her willpower she insisted that he should soften. But he said nothing, merely breathed in and out, into the receiver.

'Stanley, it was only a joke, you aren't really angry, are you, Stanley?' The tears sounded in her voice now, and she judged it better that they should.

He said, after hesitation: Well, Maureen, I just didn't like it, I don't like that kind of thing, that's all.' She allowed herself to go on crying, and after a while he said, forgiving her in a voice that was condescending and irritated: 'Well, all right, all right, there's no point in crying, is there?'

He was annoyed with himself for giving in, she knew that, because she would have been. He had given her up, thrown her over, during the last couple of hours: he was pleased, really, that something from outside had forced him to give her up. Now he could be free for the something better that would turn up — someone who would not strike terror into him by an extraordinary performance like this afternoon's.

'Let's go off to the pictures, Stan…'

Even now, he hesitated. Then he said, quick and reluctant: Til meet you at Leicester Square, outside the Odeon, at seven o'clock.' He put down the receiver.

Usually he came to pick her up in the car from the corner of the street.

She stood smiling, the tears running down her face. She knew she was crying because of the loss of Tony, who had let her down. She walked back to her house to make up again, thinking that she was in Stanley's power now: there was no balance between them, the advantage was all his.